Concert Reports

ZZ Top are in the midst of a summer tour in support of their latest album La Futura and aren't stopping any time soon. The trio brought their super charged show to Paso Roble’s Vina Robles Amphitheatre July 30th to a packed house of fans young and old. ZZ TOP a/k/a “That Little Ol’ Band From Texas,” lay undisputed claim to being the longest running major rock band with original personnel intact and in 2004 the Texas trio was inducted into the Rock and Roll Hall of Fame.

www.ZZTop.com

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All Photos: Ray Soto/ Central Coast Rocks 

Special Thanks: Amy Treco, Joan Rosenberg

Of course, there are only three of them – Billy F Gibbons, Dusty Hill, Frank Beard -- but it’s still a remarkable achievement that they’re still very much together after more than 40 years of rock, blues, and boogie on the road and in the studio. “Yeah,” says Billy, guitarist extraordinaire, “we’re the same three guys, bashing out the same three chords.” With the release of each of their albums the band has explored new ground in terms of both their sonic approach and the material they’ve recorded. ZZ TOP is the same but always changing.

ZZ TOP’s music is always instantly recognizable, eminently powerful, profoundly soulful and 100% Texas American in derivation. The band’s support for the blues is unwavering both as interpreters of the music and preservers of its legacy. It was ZZ TOP that celebrated “founding father” Muddy Waters by turning a piece of scrap timber than had fallen from his sharecropper’s shack into a beautiful guitar, dubbed the “Muddywood.” This totem was sent on tour as a fundraising focus for The Delta Blues Museum in Clarksdale, Mississippi, site of Robert Johnson’s famed “Crossroads” encounter with the devil.

ZZ TOP’s support and link to the blues remains as rock solid as the music they continue to play. They have sold millions of records over the course of their career, have been officially designated as Heroes of The State of Texas, have been referenced in countless cartoons and sitcoms and are true rock icons but, against all odds, they’re really just doing what they’ve always done. They’re real and they’re surreal and they’re ZZ TOP.

La Futura

The first new studio album from ZZ Top in nine years is LA FUTURA, released September 11, 2012 by American Recordings. The album harks back to the hallmark raw sound of the band's formative years and will, inevitably, be considered a return to form on multiple levels. LA FUTURA, produced by Rick Rubin and Billy F Gibbons, the band’s guitarist/singer, finds the legendary group infusing the newly recorded work with the electric blues/roots approach that typified ZZ Top's earliest work while, at the same time, reaching for new sonic horizons. At its fundament, this is the incarnation of the band whose influence resonates today with such artists as The Black Keys, Jack White, Queens of the Stone Age and many others.

Now celebrating their 42nd year with the same line-up, Gibbons along with bassist/vocalist Dusty Hill and drummer Frank Beard have come up with ten tracks that reflect the band’s intuitive take on rock brought to new, sometimes surreal, plateaus. “We thought long and hard about what this album should be,” commented Gibbons. “We wanted to recall the directness of our early stuff but not turn our backs on contemporary technology. The result of this melding of the past and the present is, of course, LA FUTURA.”

The fact that the new album’s title is in Spanish is a nod to an early ZZ Top tradition manifested in the titles of some of the band’s earliest albums including Tres Hombres, Fandango!, El Loco and Degüello. Known for decades by the sobriquet “That Little Ol’ Band From Texas,” ZZ Top was inducted into the Rock and Roll Hall of Fame by Keith Richards in 2004 and has maintained a very active international and domestic touring schedule over the intervening years. They signed to American Recordings a few years ago and have been working on what would become LA FUTURA in spurts since then. Last year they finally entered Foam Box Recordings in Houston, working full time to lay down the tracks that would comprise LA FUTURA. Additional recording for the album took place at Shangri La Studios in Malibu, CA.

The four songs that kick off LA FUTURA, “I Gotsta Get Paid,” “Chartreuse,” “Consumption” and “Over You” debuted last month as Texicali, a digital preview collection exclusively available from iTunes that achieved significant critical and sales success. “I Gotsta Get Paid,” performed by the band in video spots for the Jeremiah Weed line of beverages raised awareness of the song that was inspired by the 1990’s underground Houston rap song “25 Lighters” by DJ DMD with Lil’ Keke and Fat Pat. USA Today named "“I Gotsta Get Paid” its top pick of the week, citing the band for unleashing "its trademark grit and grease in a raw, bluesy rough-and-tumble treatment..." No Depression called "Consumption" "a grinding groove with a bit of Texan funk squeezed into the grooves." Music Radar analyzed "Consumption," noting, "The groove is fat, crunchy and full of swagger," summing the effort us as "ZZ Top crankin' up some fresh, vital roadhouse blues."

Also part of LA FUTURA is, fittingly, “Flyin’ High.” The track made its interstellar debut when it was piped into the Soyuz spacecraft at the time of its launch to the International Space Station thirteen months ago. Before it was fully completed, the song was heard onboard at the request of NASA Astronaut Mike Fossum, a long-time ZZ Top fan and intimate who had caught wind of it in an earlier conversation with Dusty Hill.

LA FUTURA also includes “I Don’t Wanna Lose, Lose, You” that has a real garage rock feel while “Big Shiny Nine” is a double entendre tour de force. “It’s Too Easy Mañana” is a down tempo lament, written by Gillian Welch and David Rawlings, whose chorus includes the lyric “it’s too easy to feel good.” “Heartache In Blue” includes vocals shared by Gibbons and Hill and can be likened to country blues as reimagined for the 21st Century. The album closes with “Have A Little Mercy,” a down and dirty funky tune, complete with tempo shift, that should serve to underscore the ZZ Top motto that “you just can’t lose with the blues.”

About Vina Robles Amphitheatre Welcome to the Vina Robles Amphitheatre, where European Inspiration meets California Character and the stars always shine. Here, two of California's great compositions meet, as exceptional wine and intimate live music are paired to create an unforgettable wine country experience.

The 3,300 seat boutique amphitheatre is nestled on a picturesque, oak-dotted hillside in Paso Robles on California's Central Coast. With its opening in the summer of 2013, the Vina Robles Amphitheatre became one of the largest outdoor venues for arts and entertainment in San Luis Obispo County. Featuring a style reminiscent of the California missions, guests are able to immerse themselves in a unique and intimate concert adventure as they enjoy modern amenities and first class hospitality. The concert season runs from May through November and features top tier acts from around the world in all genres. Various seating options all within 150 feet from the stage, including regular, VIP and general admission lawn seating, make events accessible to anyone in the community. We look forward to sharing our love of wine and the arts with you soon. For more information about the Vina Robles Winery, Click Here  

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